Download E-books The Cambridge History of World Music (The Cambridge History of Music) PDF

Students have lengthy identified that global song was once no longer purely the globalized fabricated from sleek media, yet relatively that it hooked up religions, cultures, languages and countries all through international heritage. The chapters during this heritage take readers to foundational old moments - in Europe, Oceania, China, India, the Muslim international, North and South the United States - looking for the connections supplied by way of a really global track. traditionally, international tune emerged from ritual and faith, hard work and life-cycles, which occupy chapters on local American musicians, non secular practices in India and Indonesia, and nationalism in Argentina and Portugal. The participants severely learn tune in cultural come across and clash, and because the severe center of medical theories from the Arabic center a while in the course of the Enlightenment to postmodernism. total, the ebook comprises the histories of the song of various cultures, which more and more develop into the people, renowned and classical tune of our personal period.

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T. Monroe, Ten HispanoArabic Strophic Songs within the sleek Oral culture, Berkeley: collage of California Press (1989), pp. 35–44 Ṣafī al-Dīn al-Urmawī, Kitāb al-adwār, facs. of ms. 3653, Nuruosmania Library, Istanbul, guides of the Institute for the heritage of Arabic-Islamic technological know-how, The technological know-how of song in Islam, sequence C, 6, Frankfurt am major: Institute for the historical past of Arabic-Islamic technology, (1984); ed. Gh. ‘Abd al-Malik Khashabah and M. A. al-Ḥifnī, Cairo: al-Hay’a al-Mis ̣riyya al-‘Āmma li-‘l-Kitāb (1986); Fr. trans. inside of a longer observation R. d’Erlanger, los angeles musique arabe, vol. three, Paris: P. Geuthner, (1938), pp. 183–566 Ar-Risāla al-Sharafiyya, facs. of ms. A 3460, Topkapı Saray Library, Istanbul, courses of the Institute for the background of Arabic-Islamic technology, The technological know-how of track in Islam, sequence C, 6, Frankfurt am major: Institute for the historical past of Arabic-Islamic technology, (1984); Fr. trans. R. d’Erlanger, los angeles musique arabe, vol. three, Paris: P. Geuthner, (1938), pp. 1–182 Ibn al-Khat īb ̣ al-Irbilī, Jawāhir al-nizām fī ma‘rifat al-anghām, ed. ‘Abbās al-‘Azzāwī in Al-Mūsīqā al-’irāqiyya fī ‘ahd al-mughūl, Baghdad: Shirkat al-Tijāra wa ‘l-Ṭibā’a al-Mah ̣dūda, pp. 106–13 Ibn al-Akfānī, Irshād al-qās ̣id, part on song, ed. and Fr. trans. A. Shiloah, ‘Deux textes arabes inédits sur los angeles musique’, Yuval, 1 (1969): 236–48 Al-Durr al-naẓīm fī ah w ̣ āl al-‘ulūm wa’l-ta‘līm, part on track, ed. and Fr. trans. A. Shiloah, ‘Deux textes arabes inédits sur los angeles musique’, Yuval, 1 (1969): 236–48 Ibn Fad: lallāh al-‘Umarī, Masālik al-abs ̣ār fī mamīlik al-ams ̣ār, Frankfurt: guides of the Institute for Arabic-Islamic technology, sequence C, forty six (1988), vol. 10 Ibn Khaldūn, Muqaddimah, ed. Y. A. Dāghir, Tarikh al-allāma Ibn Khaldūn, vol. 1, 2d edn, Beirut: Dār al-Kitāb al-Lubnanī (1961), pp. 758–67 (singing), 1097–110 (poetry); Eng. trans. F. Rosenthal, second edn, three vols. , Princeton college Press (1967), vol. 2, 395–405 (singing); vol. three, 373–91 (poetry) al-Shirwānī, Majallah fī‘l-mūsīqī, facs. of ms. 3449, Ahmet III assortment, Topkapı Saray Library, Istanbul, courses of the Institute for the historical past of ArabicIslamic technology, The technology of track in Islam, sequence C, 29, Frankfurt am major: Institute for the historical past of Arabic-Islamic technology, (1986); Fr. trans. of an extended model R. d’Erlanger, l. a. musique arabe, vol. four, Paris: P. Geuthner (1939), pp. 1–255 al-Lādhiqī, Risāla al-fathīyah, Kuwait: al-Majlis al-Watanī, 1986; Fr. trans. R. d’Erlanger, los angeles musique arabe, vol. four, Paris: P. Geuthner (1939), pp. 257–498 122 STEPHEN BLUM III Persian texts, translations and commentaries (in approximate chronological order) Ebn Sinā, Dānesh-nāme ‘alā’i, chap. on song, in T. Binesh (ed. ), Seh risāle fārsi dar musiqi, Tehran: Iran college Press (1992), pp. 3–29; Fr. trans. M. Achena and H. Massé in Le livre de technology, Paris, (1955–8), vol. 2, pp. 217–39 al-Ghazali, Abu Ḥamid, Kimiyā-ye sa‘ādat, ed. M. ‘Abbāsi, Tehran: Ṭolu‘ va Zarrin; Eng. trans. of chap. on song via Muh ạ mmad Nur Abdus Salam, Al-Ghazzali on hearing tune, Chicago: Kazi (2002) Ons ̣or al-Ma‘āli Keykāvus ebn Eskandar ebn Qābus ebn Voshmgir, Qābus-nāme, ed.

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