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Paper: torinoko; an outdated inventory of top of the range. position: number of the writer. Notes: this can be one among Yamaguchi's prints of the volcano-formed lake at Kamikochi, Nagano Prefecture (see text). sixty nine. _____: Mt. Hodaka at sunrise. Polychrome influence, thirteen 1/4 X 19 0.5 in. released in 1955. Carved, revealed, and released by way of the artist. version: indefinite (3 published to date). Blocks: 6 blocks of reliable katsura, 1 block of plywood confronted with katsura; nine printing phases. Pigment: powdered eastern pigments, tube water colours, poster shades, and sumi. Paper: kyokushi. situation: selection of the writer. Notes: Mt. Hodaka, over 10,000 ft excessive, is among the relevant peaks of the northern diversity of the Japan Alps. 70. conceal Kawanishi: Iris Season. Polychrome impact, 19X13 in. released in 1955. Carved, revealed, and released through the artist. variation: indefinite (4 published to date). Blocks: three blocks of reliable katsura; four printing phases. Pigment: poster shades and sumi. Paper: hodomura. position: choice of the writer. Notes: this can be a view of the backyard of the Katsura Imperial Villa, Kyoto. seventy one. _____: inside with Narcissus. Polychrome effect, 17 3/4X23 half in. released in 1947. Carved, revealed, and released via the artist. variation: indefinite (5 revealed to date). Blocks: four blocks of stable katsura; five printing levels. Pigment: poster shades and sumi. Paper: hodomura. situation, number of the artist. Notes: This print is a glimpse into the house of Kawanishi's son. seventy two. Tomikichiro Tokuriki: girl Combing Her Hair. Polychrome impact, thirteen 3/4X9 half in. released in 1947. Carved, revealed, and released by means of the artist. variation: constrained to 50 (30 revealed to date). Blocks: 1 block of sturdy sakura (the line block), four blocks of reliable ho (color areas); 10 printing phases. Pigment: eastern powdered mineral pigments and sumi. Paper: hosho from Echizen. position: Museum of good Arts, Boston, and choice of the writer. Notes: it is a research of Tokuriki's spouse. seventy three. _____: Sanjo Bridge. Polychrome influence, 14 3/8X19 0.5 in. released in 1954. Carved, published, and released by means of the artist. variation: constrained to 50 (10 published to date). Blocks: eight blocks of strong ho; eight printing phases. Pigment: eastern powdered mineral pigments and sumi. Paper: hosho from Echizen. place: number of the writer. Notes: this is often Kyoto's recognized Sanjo Bridge, taking a look downstream at evening-time, certainly one of a chain of artistic prints Tokuriki plans on scenes round Kyoto. seventy four. Umetaro Azechi: observing the Snow and Ice. Polychrome effect, 20 7/8X 14 7/8 in. released in 1953. Carved, published, and released by way of the artist. variation: restricted to ten (9 published to date). Blocks: 6 blocks of plywood confronted with shina; 15 printing levels. Pigment: jap tube water colours for the sky, lips, gloves, and the under-color of the rope; poster shades for the opposite components. Paper: white torinoko. place: choice of the writer. Notes: Azechi used no version for this print, dependent it on composite impressions of mountaineers. seventy five. Kihachiro Shimozawa. through the Window.

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