By Erberto F. Lo Bue
This quantity offers with particular concerns regarding Tibetan artwork, starting from the earliest Buddhist constructions in imperative, southern and jap geocultural Tibet as much as the creative traditions flourishing within the twentieth century. The papers are prepared following the chronology of the websites or the topics considered within the first half and logical standards within the latter half. Illustrated with various black-and-white photos and 32 pages of color plates, its contents are of specified curiosity to students and experts, whereas a wide half is on the market to non-specialists, too, which makes the booklet invaluable additionally to college scholars drawn to the topic in addition to amateurs of Tibetan artwork.
Read or Download Art in Tibet: Issues in Traditional Tibetan Art from the Seventh to the Twentieth Century (Brill's Tibetan Studies Library, Volume 10; Proceedings of the Tenth Seminar of the IATS 2003, Volume 13) PDF
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Extra info for Art in Tibet: Issues in Traditional Tibetan Art from the Seventh to the Twentieth Century (Brill's Tibetan Studies Library, Volume 10; Proceedings of the Tenth Seminar of the IATS 2003, Volume 13)
28 between those, the raven (colour plate 60), named Kakamukh of the northwest path, is armed with a sword, and is defined as “eating a middle and lungs” (Fremantle and Trungpa 1975: 65). additionally situated outdoor the deities enclosed in circles are lady animal-headed deities, numbering maybe as many as twenty differing kinds, together with a leopard, makara (sea monster),29 tiger, lion, fox, monkey, deer, snake, yak and a wolf, although it really is relatively tough to spot with walk in the park a few of these animals as depicted within the wall work. The wine-coloured lion-headed goddess referred to as Sihamukh of the east direction30 is among the 8 flesh-eating pics, and is depicted within the Mai Lha khang within the act of biting a corpse (plate 61). notwithstanding there are different types of serpent deities, one variety, portrayed within the Mai Lha khang, holds a lotus flower. She is the facility goddess of the ka paintings), and 4 varied animal-headed protectors open air the 4 circles (at the ground of the thang ka), who're a part of the dbang phyug ma staff. those latter therefore correspond to Gordon’s “Four Yoginis of the Door”. 26 Crane-like or heron-like birds are pointed out as scavengers in ‘sky burials’, although those are stated to have a white head and darkish again (Cuevas: 2003: 38), unlike the striped birds depicted within the Mai Lha khang. in truth, neither cranes nor parrots are pointed out as being one of the bird-headed deities pointed out within the Tibetan ebook of the lifeless as translated via Fremantle and Trungpa, 1975. 27 Fremantle and Trungpa (1975: 66–67). 28 Ibid. , sixty three and sixty five. 29 Gordon (1978: dealing with web page 101), names this deity the “Red Makara-Headed peaceable goddess”. 30 Fremantle and Trungpa 1975: sixty five. MAI LHA KHANG, DECHEN COUNTY 109 east course, named the orange Brahm31 (plate 62). A tougher animal to spot within the Mai Lha khang is one who seems to be a wolf, notwithstanding its sq. muzzle led a few artist-informants to spot it as a puppy. even if, a result of flag which the wolf-headed goddess holds (colour plate 60) the deity may be the blue wind goddess from the north known as V yudev. 32 a few animal-headed goddesses, akin to the lion, tiger, wolf fox and snake are present in a number of varied sub-groups of wrathful deities, in response to the textual content of The Tibetan publication of the useless (Fremantle and Trungpa 1975: 65–67);33 however the monkey-headed goddess pointed out above as showing within the Mai Lha khang isn't really present in any of them. hence it's attainable that the artists indulged in inventive license; that there might have been multiple model of the textual content; or that the artists weren't totally accustomed to the textual content, considering the fact that there also are different discrepancies among the particular work and the descriptions of the deities within the textual content. creative license may well definitely were justified, because the textual content of The Tibetan booklet of the useless states monstrous host of wrathful deities “will come filling the entire universe” (Fremantle and Trungpa 1975: 69). those animal-headed goddesses hold tantric implements or symbolic weaponry, similar to axes, knives, nooses, golf equipment, tridents, vajra, ghaa, elephant goads, staves, chains, wheels and bows and arrows.